James Snyder

James Snyder was born in Memphis, Tennessee and lived in many parts of the United States before settling with his family in Napa Valley. Among a variety of careers and occupations, he was a soldier with a tactical mobile operations unit in Germany, as well as an executive for a Fortune 500 company. Among others, he has published short stories in the Houghton Mifflin Black Mask anthologies, the Ginosko Literary Journal, and was a finalist in the New Letters’ Alexander Patterson Cappon Prize for Fiction. His literary works include the novels AMERICAN WARRIOR, DESOLATION RUN, THE BEAUTIFUL-UGLY, SOLDIER IN GERMANY, and the short story collection TALES OF THE LATE TWENTIETH CENTURY. His author’s website and contact are at jamessnyder.net. He currently lives and writes in the Texas Hill Country.

Girl Next Door or Deadly Vixen? In Pursuit of My Femme Fatale Fox

Suppose you have a beta reader. (In my experience, all beta readers are invaluable. Some throw you straight fastballs, some curveballs, some changeups or sliders, some sweepers or screwballs. Doesn’t matter. They’re all priceless in their own way.) In this case, a reader who absorbs your latest tome and opines about the novel’s main female

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Ghost Faces of the Past Meeting Imagined Ones of the Present

Those we knew before, faded now from our present lives, but not our memory. Faces, personalities, living spirits still so vivid in our minds they could step before us in the next instant without causing a second glance, a single eyeblink: “Oh, there your are. You’ve been gone awhile, but now you’re back, as if

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SOLDIER IN GERMANY: Sleeping With Armageddon in Cold War Europe

The Cold War novels I’ve read (you know the ones I mean: with their Ivy League and Oxford spies and nondescript moles, with their black or tangerine or whatever color ops, and with that endless line of flirty girls with their red-painted lips and brass-and-leather-strapped suitcases slipping behind East German or Soviet lines to work

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Why I Write

The main reason I write is because I cannot not write. It’s like breathing for me. If I stop, I can only suspect what would happen next. Plus I enjoy it. Just like I enjoy breathing. It keeps things moving, keeps the blood flowing, makes everything else possible. What’s not to like? But the main

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The Literary Pathology of Deviants, Psychopaths, Stone-Cold Killers and the Neighbor Next Door

As I’ve said, I tend to avoid (or try to) the black-and-white manifestations that present themselves to me in my life. By this I mean the uncorrupted or totally corrupted of anything. I really don’t believe that the absolute bad or good exists in anything; that is, giving exception to such things as tornados and

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The Mysteries of Character-sourcing

My interest in characters, fictional or otherwise, increases as their flaws, frailties and eccentricities are revealed. Preferably, surprisingly so, layer by layer, and with much painful angst; not belly-button gazing, but reflection and revelation and reaction to their human condition, and what the hell they’re going to do about it or no. Perfect or near-perfect

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Writing the Underbelly of New Orleans

Having lived in New Orleans for over a decade—those years of stumbling up and down the broken, midnight-hour cobblestone streets and secret pathways; the array of characters and endless meld of voices encountered; the archeological layers of decaying artifact amid ghostly generation, reaching back to its primeval mud, cut in twain by that great river;

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